Християнська символіката алегорія в образотворчому мистецтві Т. Г. Шевченка

Abstract

In this work creativity works of a poetand a painter Taras Shevchenko (1814-1861), indicates that Shevchenko knew the Bible content thoroughly, quoted it, went to the church, because a lot of drawings on the architectural topics. Which depicted cathedrals, churches and cloisters have remained. And he had a critical attitude towards their so-called «pot-boiler» design. That means that a painterand a poet Shevchenko was deeply pious, nevertheless he has his own approach to the God depicted in his poetical works. The work consists of several parts which characterize mastery, approach and manner of one or another drawings, sketches, etchings and sepias performance including series of works on Old Testament, the Gospel, iconography, sculptural work, copies of Carl Brullov’s, Rembrandt’s and Murrillo’s works. Art of T. Shevchenko is little known to jundges of has poetry. To lead shevchenko’s proffessionalism in the art of kobzar, on horror, he is counted as, attributing his pictures to the pictures, will say an amateur to Pushkin, Lermontov, which mainly drew on the fields of pages of the poetries. But Shevchenko was outstanding painter-chart, proffessional, making off the class of Bryulov in St Petersburg academy of Art. Carrying with engraving (akvantintoy), he became an academician. An artist violated permanent academic school, bringing an art over nearer to nationality, to the clearness. Modern research of art of poet, resulted in a conclusion, that Shevchenko opened (created) the new types of painting, that nobody used before his, calling his Ukrainian plenerist, avant-gardist, surrealist. Studying the fine art of poet and artist Shevchenko, notice his style that can not be entangled with other artists of the first half of XIX century, that entered a scientific term- «Shevchenko genre». Although it is here possible to do an amendment. Shevchenko in the academy of arts was student great Brullov and he adopted a drawing techniqus from the teacher, in particular this style snch artists as V, Shteinbergh and I. Sazhyn. In the works on religious subjects an artist used Christian moral principles, if drew linens on social-domestic themes, such as «On an apiary». And also, in the end, it is ethic positions of these works, so as they can carry morallyaesthetic pleasure to the spectator.