Abstract
کانت هذه الدراسة قد اهتمت بالإيقاع الداخلي في شعر الحکمة , حيث أن شعر الحکمة تطرب له الأسماع , وتدرج بذکره الألسن , فکان علم البديع قد توغل في ثناياه , وقد برز في خفاياه , فلا نجد بيت فيه حکمة إلا وقد تطرز وتزين بتلک المحسنات البديعية التي , قال عنها ابن طباطبا بأنها إيقاع يطرب الفهم لصوابه وما يرد عليه من حسن ترکيبه واعتدال أجزائه , فقد تم تطبيق هذا المنهج على شعر الحکمة عند أبرز من قالها أمثال الإمام الشافعي وابن الوردي , فقد تزين شعرهما بتلک الإيقاعات الداخلية متمثلة في التکرار , والمقابلة , والتجنيس , والعکس والتبديل , والتقسيم , ورد العجز على الصدر (التصدير ), والترصيع والتطريز , وقد کثر ذلک الإيقاع في شعر الحکمة حتى لا نکاد نحصيها عند الشاعرين , فتم أيراد نماذج من تلک الأنواع ؛ حيث المقام لا يسمح لنا في التوسع , وتلک دراسة تستحق أن يتم التوسع فيها , حيث أن شعر الحکمة قد بني على تلک الإيقاعات الداخلية الجذابة العذبة . The inner rhythm in the poetry of wisdom poetry (Imam al-Shafi’i and Ibn al-Wardi as a model) Saeed Hadi Saad Al-Qahtani Department of Arabic Language - University College in Al-Leith - Umm Al-Qura University - Makkah Al-Mukarramah Region - Kingdom of Saudi Arabia. Email: shsqahtani@uqu.edu.sa Abstract: This study had been concerned with the internal rhythm in the poetry of wisdom, as the poetry of wisdom delighted him with the ears, and included in his mention the tongues, so the knowledge of the Badi had penetrated into its folds, and it had emerged in its subtleties, so we do not find a house in which there is wisdom unless it has been embroidered and adorned with that Ibn Tabataba said about it as “a rhythm that delights the understanding of its rightness and the good composition and moderation of its parts.” This method was applied to the poetry of wisdom among the most prominent of those who said it, such as Imam al-Shafi’i and Ibn al-Wardi, as their hair was adorned with these internal rhythms represented in repetition and corresponding And naturalization, reversal, substitution, division, restoration of deficiency on the chest (export), inlays and embroidery, and this rhythm has increased in the poetry of wisdom so that we can hardly count it among the poets, so examples of these types were mentioned. Where the maqam does not allow us to expand, and this study deserves to be expanded, as the poetry of wisdom has been based on these attractive inner rhythms.
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