Abstract
The engagement of researchers and artists with the issue of memory in the digital culture is linked to the recognition of a qualitatively new role of technology in shaping the structures of contemporary human consciousness. The total digitalization of socio-cultural space not only alters the configuration of memory structures but also creates a situation where the cultural space itself becomes entirely dependent on them. In addition to academic research on digital memory (Digital Memory Studies, DMS), media artists are exploring its interpretation by creating artistic models of digital memory. The aim of the article is to present artistic experiences of visual modeling of digital memory in modern media art as a response to multi-level transformations in memory structures, using the work of well-known representatives of contemporary technological artistic practices such as Woody Vasulka, Rafael Lozano-Hemmer, and Refik Anadol as examples.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
