Abstract
The paper is dedicated to the last period in creative work and biography of Ellis (Lev L’vovich Kobylinsky, 1879–1947), a symbolist poet and theoretician of art. In 1930s Ellis was actively writing on various historical, literary, religious, philosophical and esoteric subjects and continued to work on his poems and translations. The article provides excerpts from the Ellis’ letters to the artist Nikolai Zaretsky, on the basis of which the stages of Ellis’ work on his third and last book of poetry and translations titled Cross and Lear during the 1930s can be clarified in some detail. In the Addendum Ellis’ poem “Death and a Knight (Old Engraving)” is published.
Highlights
The paper is dedicated to the last period in creative work and biography of Ellis (Lev L’vovich Kobylinsky, 1879–1947), a symbolist poet and theoretician of art
The article provides excerpts from the Ellis’ letters to the artist Nikolai Zaretsky, on the basis of which the stages of Ellis’ work on his third and last book of poetry and translations titled Cross and Lear during the 1930s can be clarified in some detail
Пушкинская выставка 1932 года в Праге, I: Проект Николая Зарецкого и его реализация в контексте чехословацко-русского взаимодействия // Wiener Slavistisches Jahrbuch / Vienna Slavic Yearbook
Summary
В статье публикуются и комментируются фрагменты из писем Эллиса к художнику Николаю Зарецкому, на основании которых проясняются этапы работы Эллиса над его третьей и последней поэтической книгой «Крест и Лира». Ранняя редакция сборника Эллиса «Крест и Лира»: попытка реконструкции // Литературный факт. Профессиональные контакты Эллиса и тематический спектр этих публикаций свидетельствуют о его творческом подъеме, особенно если учесть, что наряду с немецкими текстами Эллис тогда же напряженно работал над созданием своего третьего русского поэтического сборника
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