Ф.НІЦШЕ ПРО КУЛЬТУРОТВОРЧИЙ ПОТЕНЦІАЛ ДУХУ МУЗИКИ

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Civilization complex processes of human development forming a global paradigm cultural environment. Sometimes it leads to leveling spiritual and aesthetic diversity in culture. There is a diversity of concepts and standardization at same time. Against this background, establish understanding of need for cultural and historical processes and their implementation in some new creative constants. The result is kind context that matches culture of human existence. This provides opportunities to apply concepts cultural-creativity as existential and contextual self-determination rights of human. Cultural-creative process gets spiritually and aesthetically defined form in specific kind of arts. It is in this philosophical and cultural aspects in article studies views of Friedrich Nietzsche to importance of spirit of in cultural-creative being. Considering art as a form of expression of culture of creativity of human being, Nietzsche drew attention to irrational part of cultural and historical processes. In cognitive process science completes its search for truth like rational and logical form of this truth. At same time, art has aesthetic, artistic and original creative form of first idea. Science and art are in different layers of culture creative process: first tending – to discourse, another – to aesthetic. The art Nietzsche understood as being aesthetic form and artistic for explication will to power. He singled out Apollonian and Dionysian principles of formation and functioning of Arts. The spirit of art appears as merging art and nature, art in its aesthetic significance and crafts, art of life and will to power. The result was culture creation – material reality as an imitation of world of ideas and world of ideas as mimesis, reproduction Logos and Cosmos. The real creative work is accompanied by a rejection of individuality. Composer creates a form, content directed to an ideal state. After achieving this result is to power beyond his, only eternally cultural creativity natural forces which dominate world. In his discussion spirit of culture Nietzsche emphasizes unique role of in culture-creativity existence. Music stands beyond any comparison, but all in culture compared with music. Thus, musical culture ethos associated with fact that, according to Nietzsche, can become a reflection of this reality, where there is an implicit harmony Apollonian and Dionysian principle. The Spirit of Music transmits actual harmony of time – true feelings in opposite over conventional enemy, any artificial exclusion and any misunderstanding of man by man. In this context, cultural spirit of is an abstraction, deliberately devoid of any kind verbal or conceptual nature. Music has a logical composition form, but not illustrates picture of historical process. Music has immanent features of particular object or event. The spirit of hasn’t a discursive potential or reaction, its unconscious emotional expression of inner essence of world, volitional quintessence of life. This conceptual framework Nietzsche formed concept of the spirit of music as a general and universal content being which determines any phenomenon, but meaning of which in principle cannot convey other kind of arts. The essence culture-creativity of this is that the joy of existence we must look for not in phenomena. Musical story can to show thousands variants of events, images and stories which reflect just one facet of historical content and emotionally individualize it. This allows recipient is not interpreted through plastic images of world through in general, but only certain events with certain characters. So is a metaphysical fundamental of world, will to power. The image itself will not display specific events in world. The musical product created within cultural traditions and recognizes successful only if through it is visible enough of this tradition and cultural heritage. Unity of culture of creative process – is most insightful play structure spiritual events of historical time. It is known that cultural – creative has deep anthropological principles, which to some extent reflect evolution and development of man, with its ethnic and cultural characteristics humanitarian specifications. This provides opportunities to assume that spirit of is particularly important in processes of cultural-creative and accordance with socio-cultural of being in a cultural and historical continuum.