СОЦІОЛІНГВІСТИЧНІ ОСОБЛИВОСТІ МОВНОЇ ОСОБИСТОСТІ АНГЛІЙСЬКИХ МОНАРХІВ У ПЕРЕКЛАДАЦЬКОМУ АСПЕКТІ (НА МАТЕРІАЛІ АНГЛОМОВНИХ ХУДОЖНІХ ФІЛЬМІВ)

Abstract

The author emphasizes the importance of taking into account the specifics of the influence of social and cultural factors on the current communicative diversity of emotional expressions in English language. The peculiarities of film translation, requirements for its implementation, ensuring synchronicity are considered. The differences between the translation of a feature film and a literary text are established. The emphasis is placed on the peculiarities of the interpretation of simultaneous translation to achieve maximum compliance. Two types of creolized film text are considered. The uniqueness of the original's influence on the filmgoer is noted. The connection between the translated film text and the cultural environment in which it was performed is described. The importance of preserving the form, content, structure of the result of literary translation is emphasized. The main tasks of the translator in creating a full-fledged literary text after the translation are determined. The main translation strategies are outlined. Among them are "domestication" (domesticating approach) and "alienation" (foreignising approach) of the translation. The factors that influenced the choice of these strategies during the translation are noted. The content of translation strategies and features of the periods of their origin are indicated. The methods of implementing strategies in practice are focused on. It is noted that contextual translation with the search for a situational counterpart is actively used in the "alienation" of English-language film text. It is indicated that compression in the translation of film text is a more compact presentation of the thought in one language due to the use of semantically more capacious units of another language. It is noted that due to the fact that the text, while being translated, increases in volume, and the number of frames remains the same, translators have to use the method of compression. It is indicated what techniques can be used to reduce the duration of the phrase to avoid discrepancies between text and video. The purpose of the article is to analyze the sociolinguistic features of the linguistic personality of English monarchs in the translation aspect (based on English-language feature films). Research has been conducted on the examples of the films "The Queen", "The Royal Family: the Modern Court", "The Life of Princesses of the Modern Court".