Abstract

Introduction. It is urgent enough to reveal original features of epic traditions in certain ethnic environments to draw a general epic picture of Central Asian peoples. As is evident, shamanism has given rise to diverse epic and poetic genres. Shamanic and epic texts of Mongols are characterized by identical mythological patterns of world order, unified heavenly pantheons, coherent and synonymous ideas and concepts. Goals. The article aims to identify the functions of a shaman/shamaness in plots of Buryat epic narratives, determine the former’s position and status in the system of images. So, the paper shall analyze epic texts clustering with different local traditions of Cis-Baikal Buryats, delineate images of shamans and shamanesses to consider them in a comparative perspective with the involvement of ethnographic material. Materials and methods. The study employs comparative-historical and contrastive methods as key tools of analysis. It examines Buryat epic texts — both published ones and those contained in archives of the Center of Oriental Manuscripts and Xylographs (IMBTS SB RAS). Results. The paper suggests that in the Buryat epic tradition shamans and shamanesses can be viewed as traditional characters traced back to most archaic beliefs, though their functions in uligers are essentially limited and monotypic. There is a gender division at different levels of the universe: celestial deities of upper realms are represented by male shamans, while only shamanesses exhibit activity in the Middle World (i.e., on the Earth). The functions of male shaman deities are nominal and not that significant for the plot. The status of a shamaness in variants and versions of the Unga Geseriad is quite high: she serves as mediator between Heaven and Earth, defender, assistant and adviser to the main characters, clairvoyant and soothsayer — and performs the classical role of shamans in society. Narratives recorded from shaman taletellers or individuals with extensive expertise in shamanic traditions tend to entrust shamanesses with larger plot development impacts rather than those delivered by mere narrators. However, in other uligers (not included in Geseriad) the shamaness — though endowed with the same functions of a clairvoyant, soothsayer and adviser — is opposed to the main character and supports his enemies. So, such uligers often contain the motif of her physical elimination. As can be seen from the above, in Buryat uligers male shamans are rather passive and nominal characters, while shamanesses do play most active roles. In general, the status of shamanesses in the epic tradition does not quite correlate with the traditionally high status of shamans and shamanesses among Cis-Baikal Buryats.

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