明末淸初 香奩詩의 예술사회학적 분석

Abstract

During the late Ming Dynasty and the early Qing Dynasty, Poetry of trousseau formed positive perceptions and values of human individuality and desires, and became a literary genre that was widely enjoyed by female writers as well as the literary class regardless of origin and status. At that time, writers recognized Poetry of trousseau as a genre of independent lyric poetry by honestly expressing their experiences in poetry without being bound by traditional values in expressing individual emotions. In particular, writers were active in the popularization of Poetry of trousseau, such as creation, creation, engraving, and distribution, using their reputation and human network, so they responded to the trends and trends of the times and naturally jumped on the sensibility and social trend. Because it was created based on sensuous materials, the readership was very thick, and in particular, it became a major means of cultivation and creation of writers, which served as a major opportunity for Poetry of trousseau to have a status as a lyric poetry that sincerely expresses individual emotions. In addition, in the era of destruction called the late Ming Dynasty and the early Qing Dynasty, Poetry of trousseau also contains the genre characteristics as a satirical poem that reveals the dissatisfaction that writers kept in their hearts.