ТРАДИЦІЙНЕ І НОВАТОРСЬКЕ В ТРАКТУВАННІ ВОКАЛЬНО-ІНСТРУМЕНТАЛЬНИХ ЖАНРІВ У ТВОРЧОСТІ Е. ДЕНІСОВА

Abstract

The purpose of the article is to consider the interaction of traditional and innovative in the vocal and instrumental works of E. Denisov with the identification of intonational and stylistic complexes characterizing this process. The methodology of the work is determined by the genre and style, semantic and analytical musicological approaches, focused on revealing the dialogical interaction of the traditional and innovative in the works of Edison Denisov. The scientific novelty of the article is determined by the fact that E. Denisov’s vocal and instrumental work is considered in the context of the general evolution of the composer’s individual author’s style, highlighting the importance of the interaction of innovative techniques and traditional genre settings adopted in this genre area. Conclusions. In his works, E. Denisov relies, on the one hand, on the traditional for vocal and instrumental genres figurative structural, compositional and figurative foundations, and on the other hand, he finds ways to significantly update the interpretation of both the general genre basis and the musical and linguistic parameters. The composer’s works are characterized by a strong connection between the musical and verbal levels, since the semantic load of the work, coming from the verbal text, has a powerful effect on the construction of the future work. At the same time, the desire to most fully reflect in his work the circle of artistic images that inspired E. Denisov to work, leads to the need to expand the boundaries of musical form, and — more broadly, musical art, leading to the synthesis of art, the inclusion of elements of instrumental theater.