КАЗКА ЯК ЛІТЕРАТУРНА ОСНОВА ХОРЕОГРАФІЧНИХ ТВОРІВ

Abstract

The article examines the synthesis of literature and choreographic art. The literary work is considered in the context of the libretto of a ballet performance, special importance is given to such a literary genre as a fairy tale, the plots of which served as a source of inspiration for choreographers of different eras, different countries. The role of literature in choreographic art is determined, the literary basis in a choreographic work from the origin of ballet art to the present is investigated. A historical excursion on the interpenetration of literature and choreography, from the XIII century. to date. Literary plots and literary images have been actively used in choreographic art at all times. However, the complete "fusion" of literary work and choreographic vocabulary took place only in the XX century, with the emergence of drama. It is believed that the drama flourished in the works of J. Neumayer, a choreographer with a flair and knowledge of philology. He created a unique author's genre of literary ballet. The specificity of depicting the events of a literary work by means of expression in choreography is studied. Ballet drama, features of construction of a choreographic work on a literary plot are analyzed. The essence of the concepts plot and plot and composition is determined. In fiction, the plot is a system of events. The plot and the plot are inseparable from each other and are the basis of the composition. Composition is the structure of a work of art due to its content. As for the disclosure of the content in the choreographic work, this process occurs through the means of expression. The specifics of the choreographer's work on creating a one-act choreographic performance are revealed; the main stages of the director's work are listed, namely: the choice of a literary work and its ideological and thematic analysis; own interpretation and director's concept of the work; writing a compositional plan; selection and analysis of musical material; staging and rehearsal work. The work of modern directors, who take a fairy tale as the main idea of their choreographic work, is studied.