Abstract
The article considers some modes of artistic performance as a reaction against the present technological determinism. This creative resistance has a kind of game-based, competitive element – “to outwit the system” – which is a form of play. This line emerges as a kind of sociological and aesthetic strategy in some new art movements, an artistic reflex in defense of the "right to remain invisible". Briefly: the article will trace how the observed person (homo vigilatus), playing (homo ludens), consolidates with a new discourse his role as a creator (homo creator).
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
