Abstract
The article considers some modes of artistic performance as a reaction against the present technological determinism. This creative resistance has a kind of game-based, competitive element – “to outwit the system” – which is a form of play. This line emerges as a kind of sociological and aesthetic strategy in some new art movements, an artistic reflex in defense of the "right to remain invisible". Briefly: the article will trace how the observed person (homo vigilatus), playing (homo ludens), consolidates with a new discourse his role as a creator (homo creator).
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