Abstract
The collective monograph examines one of the least studied pages in the history of Russian literature of the 19th century — pre-symbolism. There are two versions of the approach to the pre-symbolism studies as an independent phenomenon are proposed in the book: “narrow” — consideration of the literary situation of the “timelessness” era of the 1870s-1880s, and “broad” — understanding of pre-symbolism as a special trend in Russian culture, which became a “bridge” connecting romanticism and symbolism. The following problems are discussed in the collective monograph are pre-symbolism – modernism – theory and individual practices; pre-symbolism as a phenomenon of Russian and European culture; pre-symbolism – predecessors and heirs; religious and philosophical aspects of the creativity of the pre-symbolists; the prosaic heritage of the pre-symbolist poets; poetics of A.K. Tolstoy, A.A. Fet, S.Ya. Nadson, K.K. Sluchevsky, Vl.S. Solovyov, A.A. Golenishchev-Kutuzov et al.; reception of pre-symbolists creativity in literature and criticism of the Symbolists (Andrei Bely, Fyodor Sologub) and the post-symbolists (Igor Severyanin, E. Zamyatin). For the first time, the book introduces archival materials from the epistolary and literary heritage of Vl. Solovyov, I.F. Annensky, A.L. Volynsky et al. The book can be recommended to philologists, philosophers, culturologists, and also to everyone interested in the development of Russian culture in the 19th – the first half of the 20th centuries.
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