Abstract
In article the analysis of creativity of Heinrich Heine which was presented in introductory article by the famous Hungarian philosopher George (Dyoerd) Lukács (1885–1971) to collected works in 1938 of Heinrich Heine (1797–1837) is considered. Having taken philosophical and poetic creativity of Heine, in the offered research not only the concept of Lukács, but also the thinker of the past, the critic who had, undoubtedly, an impact on Heine’s creativity – the philosopher, the translator Friedrich Schleiermacher is studied. The assessment and brief description of Hegel’s influences on Heine’s world view, which took place in 1821-1823 in Berlin, as well as Marx in 1843-1844 in Paris, is given. Questions are touched upon and raised about future studies such as the Neo-Kantianism motifs of Lukács. Lukács’s post-hegelism and young-hegelism, raising the question of the subject matter of philosophy at Heine, and the role of Schleiermacher’s review of Heine’s creativity.
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