Abstract
From the latter Meiji era to the beginning of the Showa era, the space between stage and auditorium goes foward two dipromatic directions in Japanese theatre with getting of the high position in the process from a diplomacy to an amusement than before. These directions in the Kabuki theatre begin with Shingeki. Kabuki theatre and Shingeki theatre have different ways each other. That is synbolized by Hanamihci, Lighting of FOH(front of house) and kuppelhorizont.
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