Abstract
In a broad cultural and philosophical discourse, the comparison and differentiation of two layers of artistic reality in the 20th century, defining “the position of postmodern” (J.-F. Lyotard), are considered. It should be noted that in the 20th century art, without completely excluding the narrative-type artistic reality, was increasingly mastering the post-narrative artistic reality, but most often combined both artistic realities — modern and postmodern. The comprehension of art on both sides of reality presupposes the combination of narrative and post-narrative artistic realities as two layers of meaning covering the “vital reality” displayed and simultaneously overcome by them from both sides. The combination of “one’s own” text as the author’s narrative of life reality and the interweaving of “others” texts, ironically or creatively reflected in the form of a post-narrative texture, are put together as a two-layer text that contrasts “the life reality” in two ways. These provisions are confirmed by a number of literary examples.
Highlights
В широком культурфилософском дискурсе рассматривается сопоставление и дифференциация двух пластов художественной реальности в ХХ веке, определяющих «состояние постмодерна»
The combination of “one’s own” text as the author’s narrative of life reality and the interweaving of “others” texts, ironically or creatively reflected in the form of a postnarrative texture, are put together as a two-layer text that contrasts “the life reality” in two ways. These provisions are confirmed by a number of literary examples
Не имеющие аналогов в современной им европейской литературе, безусловно, стали ключевыми вехами в формировании состояния русского постмодерна в ХХ веке и способствовали становлению искусства, способного быть по обе стороны реальности и таким образом преодолеть ее в воображении аудитории
Summary
В широком культурфилософском дискурсе рассматривается сопоставление и дифференциация двух пластов художественной реальности в ХХ веке, определяющих «состояние постмодерна» Отмечается, что в ХХ веке искусство, не исключая до конца художественной реальности нарративного типа, все в большей степени осваивало постнарративную художественную реальность, но чаще всего соединяло в себе обе художественные реальности — модернистскую и постмодернистскую.
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