Abstract
The paper aims to identify form-generative peculiarities of hybrid structures as original genre forms in the Yakut poetry of the second half of the XX century. Scientific originality of the study involves a comprehensive analysis of the genre synthesis phenomenon in the Yakut poetry from the viewpoint of new methodological approaches within the framework of a systemic-typological study of stable contextual structures. The research findings are as follows: the author proves that I. M. Gogolev’s poetical texts (“Scripts on Mammoth Tusk”, “The Song of the Lena”) are unique examples of synthesized hybrid genres of the cycle poem and the clipped polycyclic structure. Synthesis of the poetical cycle and the poem genres within a single artistic structure allows considering these poetical texts as meta-genre forms, a new phenomenon in the Yakut literature.
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