Abstract
The paper is devoted to the tendencies of syntactic development and functioning of syntactic units in contemporary Russian prose. The recent syntactic processes (reduction of the syntactic relationships, simplification, compression, contamination of syntactic units, integration and disintegration of its components, etc.) are considered in the aspects of language, speech, and text. The author provides a critical analysis of the analytic progress of Russian syntax on the basis of contemporary prosaic discourse (e.g. L. Petrushevskaya, S. Dovlatov, V. Sorokin, V. Makanin, T. Tolstaya, V. Pelevin, S. Bolmat, M. Palei, etc.) and screenplay. Today screenwriting became the main occupation of many Russian authors such as M. Mareeva, A. Mindadze, O. Osetinsky, and others. Contemporary discourse stimulates the development of new syntactic phenomena. The main task is to analyze the qualification of syntactic units (combinations of words, sentences, multicomponent complex statements, syntactic complex, direct speech, etc.) and to make evident the syntactic organization of contemporary Russian prose and screenplay. Syntactic complex is considered as a formed unit of text organization and direct speech is considered as a unique syntactic unit among other types of speech.
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