Abstract
The article considers the basic problems of reception and interpretation of literary text within the classical scientific paradigm. The paper aims to identify the main factors influencing artistic reception and multi-variant interpretation of literary text. Artistic reception is simultaneously a final stage of artistic communication and its starting point in the context of the recipient’s motivation for interpretative activity. The ontological status of literary text is conditioned not only by the author’s intention but in many ways by the recipient’s ability, readiness for interaction with the author.
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