Abstract
The article analyzes Plato's theory of form, set forth in The Republic and critically developed in Parmenides, through the idea of conceptual morphism, the study of relations between incompatible categories and the articulation of existing coherent connections between them. Man’s fluid ability to create a common synthetic image, a picture of everything, even incompatible from a linguistic and categorical point of view, is a starting point for considering the concepts of hyperdynamics (according to Aristotle’s formulation of essence set forth in Categories) and virtuality; and accordingly to this – to construct a definitive concept of resonance. The aesthetics of the concept is seen precisely as a resonance of reality’s capacity for hyperdynamics and the human mind’s capacity for virtuality.
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