진주교방문화의 역사와 가치

Abstract

This thesis tried to reveal its value by applying the concept of anthology to the history of Jinju Gyobang culture. Here, anthology means ‘anthology’ in a word. The idea is to apply the anthology to an archive that collects domestic and foreign data on Gyobang culture.
 ‘Gyobang culture’ refers to the accumulation of knowledge and information through Gyobang and the preservation of its value and historicity. Gyobang has a tradition as an institution that lasted for more than a thousand years from the Korea Dynasty to 1910 in Korea. In Gyobang, comprehensive art education was provided for gisaengs in dancing, singing, playing musical instruments, as well as poetry, calligraphy, and painting. It is the Gyobang culture that has been developed and achieved an artistic level through such education in Gyobang. This Gyobang culture was installed and developed in regions above the level of departments and moks in Korea, and representative cities are Pyongyang in the north of the Han River and Jinju in the south. Archive refers to a collection of records or documents with historical or long-term preservation value, and at the same time refers to a place, facility, or institution that stores these records or documents. Gyobang-related materials in Korea and China require diachronic and synchronic selection through anthology in the process of digital archiving. Because Jinjumok's Gyobang is the center of Gyobang culture not only in Korea but also in East Asia through ‘Uiambyeolje’ in Jung Hyeon-seok’s “Gyobang Song”, a standard must be established. We need an opportunity to present our culture with pride, not self-denigration. The scope of application of Gyobang’s music, dance and poems and paintings expands to the Archetype as cultural content. For this purpose, archive work related to Gyobang culture at home and abroad is preceded, but it is necessary to study by applying the concept of anthology.