СУБСТАНЦИИ КОМПОЗИТНОЙ ФОРМЫ

Abstract

Architecture as a language of social communication embodies the artistic content in various forms that are associated with the organization of professional work. During the period of handicraft production, the architect-the main builder, expressed the cosmic harmony of the Universe made by the Creator. Being a designer, an architect expressed mathematical proportions in the composite forms of the building drawing. The division of labor in design led to the differentiation of the composite form into a functional form, compositional form and constructive form. Industrialization of design led a composite concept to the development of spatial concepts and the formation of an environmental approach. The development of formative thinking of the architect led to the creation of new innovative eco-friendly architectural materials. Unique manufacturing techniques allow to create perfect flatness and flexibility of composite materials associated with the absence of internal stress. This led to the creation of spatial structures without seams in different temperature and climatic conditions. The article systematizes professional design experience concentrated in the concept of composite form, calling the integrated, differentiated and multilayer superpositions of design graphics and the construction body.