诗≪江格尔≫故乡场景所属范畴的二元对立性

Abstract

The epic poem ‘Jangar’ takes war and marriage as its basic theme, and its theme is to consolidate the prosperity of Baomuba's hometown and create the glory of the hometown together. The hometown scenes in the epic poem‘Jangar’ are divided according to the ‘dichotomy’ as the basic criterion, which limits the hometown atmosphere and aesthetic form of both sides in terms of the conditions of their categories, and expresses the collective unconscious emotion through the activation of transcendent natural appearance. In terms of the overall plot, the two sides of the epic have equal strengths, and need to have implied differences to form a clever atmosphere to convey and promote the progress of the plot, and to arouse the empathy of the admirers. In terms of plot construction, the scope of the story is set up in such a way that descriptions of scenes from the hometowns of both sides, positive and negative, are needed to define the hostile atmosphere and stimulate plot development. This chapter takes quantity and orientation as arguments to explain why the home scene belongs to the category of the binary opposition between good and evil, as well as the quantitative function of the positive, negative, the influence of the middle zone, force in the home scene to clarify the specific function of the program.and endeavours to clarify the specific programmatic functions of hometown scenes.