Abstract
The article analyzes the participation of the Soviet delegation in the XVI International Art Exhibition in Venice in 1928. The successful presentation of Soviet art at the XIV Biennale in 1924 noticeably strengthened the USSR’s position in the development of cultural ties with Italy and contributed to the formation of an attractive image of the Soviet man among ordinary Italians. In 1926, the difficult economic situation did not allow the Soviet dele-gation to participate, but two years later, as part of the XVI Biennale in the Russian Pavilion in Venice, the public could once again see the work of Soviet masters. With the success of the 1928 Biennale, Soviet art’s position as a relay of the new state idea was consolidated and a massive response was generated. The official Italian press, despite many negative reviews, noted the timeliness and fullness of Soviet culture, and the system of state order made the strongest impression. The article is based on a large number of documents from the State Archive of the Russian Federation, the Russian Archive of Literature and Art, periodicals and memoirs of the events’ participants.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.