「병신과 머저리」에서 <시발점>으로의 매체전환 연구

Abstract

The purpose of this paper is to examine how the cinematic transformation of ideological novels took place in the process of media transformation from the 1960s novel 「A Pool and an Idiot」 to the movie <The Starting Point>. At the narrative level, the sense of subject is also changed by changing the dramatic space, character, relationship change, and addition of events.At the narrative level, the sense of subject is also changed by changing the dramatic space, character character, relationship change, and addition of events. In addition, it combines new genre heterogeneity, which is a melodramatic quality that could not be felt in the original novel. The narrative structure changes due to media characteristics, and the narrative itself that conveys the narrative is transformed. In particular, the idea of 「A Pool and an Idiot」 implies essential difficulties in visualization. Director Kim Soo-yong uses various imaging techniques to visualize ideological narratives with irreversible traits. In < The Starting Point>, the description of the original work was reproduced in a sophisticated manner by using flashback, cross-editing, morconom (black and white screen) technique, and animation. This is in line with the meaning that the film mentioned by the bazaar requires a greater imagination in order to reproduce the same as the original work.