Abstract
In this work, attention is paid not so much to the technical ways of translating the work, but to the search for its content. The pianist, as a rule, has access only to the musical text - a message encrypted by musical means of expressiveness, transmitted by the composer to the addressee - the listener - through large spatial or temporal distances. “Deciphering” this message and turning it into a certain sound sequence is precisely the main task of the pianist-performer, the mediator between the minds of the composer and the addressee - the listener.
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