Abstract
This article examined his family line and overall life, focusing on 『Byeongamjip』, 『Gonamjip』, a collection of writings by Kunam So Se-ryang born in Iksan, Jeollabuk-do from the 15th to 16th centuries, summarized and reviewed the two collections before considering his watch. Gonam left a number of Chinese poems while interacting with contemporary Confucian scholars such as Cho Gwan-gjo, Lee Eon-jeok, Kim An-guk, and Kim Jong-guk, but politically, he was not noticed because he lacked clear footprints other than records of his participation in the sutra. In addition, the titles of 『Byeongamjip』 printed in 1748 and 『Gonamjip』 printed in 1929 were different, causing one literary collection to invite two literary collections on the web. Gonam, who was active during the period when Chinese poetry flourished most in the history of Chinese literature, left 176 Chinese poems with 230 titles, First, it is a poem with the tendency of “gwangak-style” created in government life, secondly, it is written in the form of a diary to pay tribute to his father with grain, and thirdly, it can be divided into Gonam's Chinese poems. Based on the ideology of royal politics, Gonam created a Chinese poem to understand Taoism in practical and realistic terms because the spirit of Sarim, who wanted to realize more than supreme rule, was deeply based on it.
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