Abstract

The text unfolds a fascinating narrative through four paintings: 1/ Adam de Coster, “Man Singing by Candlelight”, 2/ “Master of Candlelight”, before 1650, “Singing Boy” and 3/ “Master of Candlelight”, 1650, “Singing Boy”. Using candle-singing as a guiding principle, important pictorial concepts such as Caravaggism, “Flying Birds”, Bambochanti, Kiaroscuro and Tenebrism, are introduced and differentiated.

Full Text
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