Abstract
The author sums up the results of the 20-year activity of the Dissertation Committee of the Novosibirsk State Conservatory in defenses of dissertations for the academic degree of Candidate of Arts and the academic degree of Doctor of Arts in the ield of “The Art of Music,” No. 17.00.02. After a brief excursus into the history of its creation, information is provided about the structure of the Committee, represented by 18 Doctors of Science – researchers of various branches of musical scholarship, well-known in Russia. Notice is given of the main trends of dissertations related to issues of historical and theoretical musicology, philosophy and aesthetics, culturology, stylistic orientations of the art of music, synaesthesia and interaction of music with contiguous forms of art, studies of medieval music, traditional and academic music of Siberia, the musical culture of the countries of South, South-East Asia and Central Asia, the Middle and Near East, studies of local musical lore, the art of musical performance, musical education and pedagogy, informational technologies and musical activities. The geography of the Committee’s scholarly inluence is immense, spanning the entire territory from Vladivostok and Khabarovsk to St. Petersburg and Krasnodar. The author illuminates the subject matter of defended dissertations (1-30, including 20 dissertations for the degree of Doctor of Arts), representing a diverse palette of Russian musicology. Special mention is made of dissertations the subject matter and academic level of which are of special interest for present-day studies of the art of music. Keywords: Dissertation Committee, Novosibirsk Conservatory, scholarly trends in musicologists, Doctor of Arts, Candidate of Arts, opponent, musical culture of Siberia
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