Abstract

This study analyzes the concept of modern subjectivity focusing on the gender representation of female masters in Juan Francisco Manzano''s Autobiografía (1836), Anselmo Suárez y Romero''s Francisco, El ingenio o las Delicias del Campo (1839) and Félix Tanco y Bosmenie’s Petrona y Rosalía (1838). The narrators of these texts set the cause of the harsh and violent treatment of slaves by upper-class women as lack of rational ability and instability. Through this engendered characterization of masters, these texts internalize the modern subject as a specific man imagined by each narrator. In this regard, this analysis reveals how the modern subject in each text is constituted through the multifaceted characterization of female masters.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.