Abstract
This article examines the history of the origin of Kyrgyz satire, the beginning and the emergence of satire in oral folk art, and development trends of Kyrgyz satire during the Soviet period. The origins of the history of the birth of Kyrgyz satire lie in the inexhaustible folk oral creativity. Due to the fact that satire by its nature is closely related to mentality, everyday life of the people and focuses on the character, behavior of a person, its examples can be considered in the proverbs, fables, stories of Apendi, Zhaerenche Chechen, Akyl Karachach, stories of the people's humorists and many others. Also, in the trilogy "Manas" and in such small epics as "Er Toshtuk", "Zhanyl Myrza" and in a lot of satirical ridicule. Satirical elements at the end of XIX-th at the beginning of the XX-th centuries developed in the work of akyns-improvisers, in professional literature - in the works of M. Elebaev, A. Tokombaev, K. Malikov, J. Bokonbaeva, later R. Shukurbekov, M. Alybaeva, B. Sarnoeva, E. Ibraeva, J. Ryspaeva and others. In general, Kyrgyz satire, like world satire, has recently been developing into traditional and new format, innovative in nature.
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