Abstract
World literature abounds with great names whose identities, shaped at home, are irrevocably distorted by the crooked mirror of their foreign, including Russian, fate. The genuine interest of the most outstanding representatives of the Russian Modernism in Pedro Calderón, the Spanish playwright of the Baroque era, deserves special attention. Balmont treated Calderón as his forerunner, the harbinger of a new era, the creator of dramas marked by the beauty of symbolic poetry.
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