Abstract
The article belongs to the cycle of articles «The algorithm of the birth of the metaphor», the first chapter of which is published in the Journal No. 20 of the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University.Author reproduces in details the process of creating a theatrical metaphor, the algorithm of birth of a scenic image. The author is referring to his numerous years of experience of his on directing practice Production of the performances «The King dies» by E. Ionesco and «The Cathedral of Our Lady of Paris» based on Victor Hugo’s novel .This article is intended to the theatrical art teachers and researchers and art students, theater theoreticians and practitioners, a wide range of scenes fans.
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