Abstract

The present study delves into Yann Martel’s The High Mountains of Portugal, a narrative that intricately weaves the journey of three individuals, each from different eras and age groups, as they grapple with loss and subsequently seek to overcome the resulting grief. While on the surface, their shared experience of family loss may seem unique, it echoes the universal sentiment of grief - a sentiment all too familiar to every individual. This analysis unpacks the three protagonists’ sequential emotional healing, illustrating the universality of the recovery process. Martel’s masterful narrative doesn’t just lay out their individual stories; it intricately divides a single overarching narrative among them, culminating in a meta-narrative that reveals the larger picture towards the end. Rich in symbolic elements, the novel extends a multifaceted canvas, inviting readers to delve into myriad themes and subjects. The layered narrative, combined with Martel’s impeccable story-telling skills, sets this work apart. By showcasing the intertwined stories of loss, recovery, and introspection, The High Mountains of Portugal emerges as a paramount literary piece, holding immense academic value.

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