하서 김인후의 누정원림 문학공간 연구

Abstract

This paper examined how Kim In-hoo's spatial perception was embodied in Nujeong Garden Forest through an analysis of Nujeong Garden Forests created in Gwangju, Damyang, and Jangseong in Gwangju and Jeonnam. Kim In-hoo often visited Gwangju and Damyang Nujeong Garden Forest, the center of Honam City, after returning to his hometown and living in Jangseong.
 It can be seen that the Pungyeongjeong Pavilion in the Gwangju area became a space for Kim In-hoo to enjoy natural customs and express pure emotions. In addition, it could be considered that Hwanbyeokdang became a space for Kim In-hoo to cultivate his mind and body and self-sacrifice. Kim In-hoo reflected on his inner self in Pungyeongjeong and Hwanbyeokdang, while expressing the excitement felt there while enjoying beautiful nature in a poem.
 Next, Kim In-hoo focused on embodying the appearance of scholars who wanted to become a reclusive self-developed by relaxing in Soswawon or Nujeongwonrim in Myeonangjeong in Damyang area. Kim In-hoo was able to consider Kim In-hoo's spatial perception, which embodies the joy of living in Soswawon and Myeonangjeong, not just as a natural space, but as a secular space separated from the world.
 Finally, Kim In-hoo's sublimation from a space called Nujeong Garden Forest in Jangseong to a space that embodies filial piety for parents beyond the traditional style of enjoying the beautiful mountains of his hometown is a characteristic of Kim In-hoo's Nujeong Garden Forest literature. Jangseong area, his hometown, was a place of living where he had to return with his exhausted body from his public office and finally commission and live.