Мағжан Жұмабаев шығармашылығының философиялық аспектілері

Abstract

This article was written as part of the 130th anniversary of M. Zhumabaev. The article examined the issues of philosophical reflection of the work of M. Zhumabaev. M. Bekenuly is a poet lyricist and he is truly perceived as a single, public figure of the Turkic peoples. The poet's work is characterized not only by historicism, reflections on spirituality, but also by an irrational experience, abstract imagination. The article contains a study of the spiritual activity of M. Zhumabaev and a comparison of his works with the philosophical views of the German philosopher F. Nietzsche on art. A comparative study by F. Nietzsche on the role, specifics of categories of religion, art and philosophy in determining the cognitive actions of a person was used. The poetic heritage of M. Zhumabaev passed the test of time and proved its artistic value and synthesized the categories of humanism, nobility, happiness and pan-Turkism, pessimism and lyrical experience of the aspirations of Kazakh society. The article uses the hermeneutic method of contents of the verse “Prophet” and “Flood” to determine the philosophical meaning of artistic images. The revival of national identity in modern Kazakh society, the strengthening of independence aroused interest in the poetic activities of Magzhan as an object of philosophical research. The field of study of the works of Magzhan strengthened the spiritual, historical self-awareness of generations. She laid the groundwork for shaping it as ideological content of public policy. He painfully assessed radical changes in society, trying to comprehend the future of the Kazakh people and the tragedy of the rash action of contemporaries. The value of M. Zhumabaev's creative contribution for the culture and historical memory of Kazakhstan was analyzed.