Abstract

The current paper is focused on the genealogy and the relevance of negative aesthetics as a distinct philosophical field and, in particular: 1) to draw a concept of the beautiful as a myth; then 2) to justify the need of a specific genealogy of loss of the beautiful, and, on this basis, 3) to bring out negative aesthetics in its main subject as a mythology of loss of the beautiful.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call