Abstract
In the article the author polemicizes with the ideas of formalists, which claim the existence of a «law of destruction of meaning through form in the works of art. This views of this necessary deformation of the meaning are being put in the historical context of destruction of the Russian tradition in the USSR. The author emphasizes two periods of the deformation of the Russian tradition in the soviet culture and the opposition to this deformation in the works of Russian authors in exile: Bunin, Shmelev, Bor. Zajcev. The later have created in their works the conciliar (sobornaya) Russia. In the article theBakhtin's „vnenahodimost of the author is corrected from the Christian standpoint and the receptive mechanism of the resurrection of historical Russia is shown on the material of Bunin's texts. м
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