О НАЦИОНАЛЬНОХУДОЖЕСТВЕННОЙ ОСНОВЕ ПОЭЗИИАСЛАНБЕКА ПСИГУСОВА

Abstract

Kodzokova Liliya Ruslanovna – post-graduate student of Russian and foreign literature dpt. Kabardino-Balkarsky State University. Abstract . This article examines the issues of the national artistic, aesthetic foundations of the creative life of modern Kabardian poet A. Psigusov. The analysis is carried out on the material of his poems: “Ali Tsirhizh”, “The legend of the blind singer Inal”, “Sultanbek”, “Thrifty neighbor” and others. The author of the article analyzes the questions the mythological and folkloric bases of A. Psigusov’s poetry, the theme of the Caucasian War, as well as some modern problems. The greatest emphasis is put on the historical orientation of the poet’s works, among which are the poems “Ali Tsirhizh” and “Sultanbek”. These poems are of epic content, where there is an important effect of the documentary: toponomics, reliance on historical facts, names of historical figures, etc. The article grounds the features of the poetics, its proximity to the folklore of the Adyghe people. An analysis of the poem “Sultanbek” allows the author to draw conclusions not only about courage, honor and dignity of the representatives of the Adyghe people, but also about the need to protect the peace and rejection of war in any of its manifestation. In this regard, the ethno-folklore elements get, according to the author, a new aesthetic value in the heroic poem “Sultanbek” and “Legend of the blind singer Inal”. Particular attention is paid to the artistic unity of historical fact and fiction in the works of A. Psigusov. Key words: poetry, myth, folklore, poem, history of the nation, fact and fiction, hero and society.