Abstract

The 1930s are of special importance for establishing museum theory and practice. The paper emphasizes the understanding of the term museography, thus allowing the author to characterize innovations in the development of many trends in museum activities during this period. Displays and exhibitions in museums of all kinds could boast of considerable achievements. Among other things, they are explained by the development of another trend in museum practice – interaction with visitors, including a completely new public, including the working class. Museography development is analyzed based on French periodical publications, in which prominent figures in the fields of culture, the arts and museums presented their views and ideas. This material is introduced for the first time into scholarly discourse in Russian. The parallel development of European and Soviet museums in the 1930s seems important, evaluations by French museum workers of the museum experience in the USSR matter a lot for the history of Russian museum affairs and studies.

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