Abstract
The research objective includes identifying the most efficient ways of studying dialogue in L. Petrushevskaya’s dramaturgic discourse. Scientific originality of the paper lies in the fact that the author presents approaches to studying dialogue as a means to describe personages’ inner world in “women’s plays”, analyses the dramatic dialogue through the lens of its structure and content. The following conclusions are justified: a wide range of characters’ verbal and non-verbal reactions indicates multi-functional nature of dialogues in L. Petrushevskaya’s plays; they not only transfer peculiarities of characters’ speech but represent the story dynamics, specificity of conflict in “women’s literature”, serve as a means to describe the situation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
