Abstract
The article is devoted to the construction of methodology for the study of performance as an art form. The desired methodology is based on the comparison, analysis and ontologization of knowledge about performance as an art form. Based on the obtained ontology of performance as an art form, methodological tools are developed to provide the feasibility of the functional study of performance as an art form. The resulting methodology is expressed as an algorithmic model for the study of performance as an art form. The article describes the model, its components and the relationships between them. The received construction can be used as a tool for the analysis of artworks, the study of performance within the disciplinary framework of art history, and the study of certain aspects of performance as an art form. The structure of the model involves making changes and additions either in the process of further research or as a result of the discovery of new components and relations between them. Therewith, this methodology allows the study of performance as an art form without the use of empirical material and variable knowledge representations of the subject.
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