Abstract

In this study, the children’s song OppaSakak was premised as a place of memory.
 First, I attempted to examine the significance of OppaSakak at the time and how it was “remembered.” First, OppaSakak was significant at the time because Choi Soon-ae, who wrote the song, was a “Juvenile Writer.” Juvenile writers developed into professional writers in the process of posting as readers of newspapers and magazines. Second, it was significant because of the emergence of female subjects. At this time, the female subject referred to a woman as a writer and a woman who expressed her desire. Third, it was significant in that “Oppa” can symbolize the liberation of the country.
 OppaSakak, which was included in Eorini in November 1925, is still sufficiently popular to be called “National Children’s Song”. At this time, OppaSakak was present as a memory of a group that brought out the identity of Koreans or Koreans.

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