Abstract

The article analyzes the lyrics of the classic of Balkar literature KaisynShuvaevichKuliev. The presence of the concept of time in the poet’s works is a peculiarity of the author’s individual style. This concept shapes the surrounding reality, focuses on poetic aestheticism, deeply personal expe-rience. The study examines a whole list of issues associated with the theory of sped up develop-ment, the specificity of poetic thinking, personification of time, the search for promising ways of development of aesthetic consciousness of the people at the stage of transition from traditional reflective models based on folklore ideas, archetypes of ethnic thinking and ideological opposition to the structures of new formation. It is argued that the emergence of a special images and their transition into transversal symbols, it was Kuliev’s models of reflexion that allowed to expand the narrow semantics of ideological temporal binary and overcome the logical attribution of the con-cept “time”, creating for it a vast associative halo that addresses the reader’s consciousness to the realities of everyday life. Searching for stable style-forming constructions in overcoming the bor-ders of established apperceptive models allowed K. Kuliev to create special poetic structure, de-scribing time in the coordinates of his personal gnoseology, his individual manner of perceiving the environment, allowing the national reader to imagine temporal definitions beyond the rational and conceptual emblems, interpreting them with the help of familiar and mastered at all percep-tion levels up to the sensory. Artistic concept of time in the works of K.Kuliev is formed gradual-ly, together with the poet, with the era. Following its artistic realization and transformation, the author of the article brings us closer to the unraveling of how the great Balkar poet perceives, real-izes, and comprehends time to the unraveling of his inner world. On the material of poems of Bal-kar writers (K. Kuliev, K. Otarov, H. Temmoev) the author shows several ways of verbalization of the concept “time” in Balkarian literature.

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