Abstract
The article focuses on the types and features of dialogue in art, based on the exteriorized and interiorized inter-action of its subjects. Based on the research of dialogists, the author of the article hinges primarily on a broad interpretation of dialog as a form of being in culture, a form of communication between cultures, taking into account the form of understanding culture. The essence of this joint existence or co-existence is the interaction of its participants, expressed in replicas, including “reciprocal equal word”. Particular attention is paid to interior-ized (“unarticulated”, “monologic”) dialogue, which is more difficult to instrumentalize. It is subdivided by the author into the dialog of the creator-creator, creator-customer, creator-viewer. Under the influence of this “multi-place” and diverse dialogue, as emphasized in the article, there is not only a transformation of the inner world of its subjects, but also the formation of a cultural tradition.
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