Abstract
The main pupose of the study is to highlight the problem of formation in the artistic manner of the outstanding stage designer in Lviv, his unique painterly style and technique of performance of a considerable part of his monumental-art canvases. Methodology. A complex of methods has been used in this study, namely: historical, comparative, typological, descriptive, visual, iconographic (image principles and methods), technological, analysis and summary; documentary; artistic and stylistic (analysis of the manner of individual artists, their schools, separate artistic epochs; philosophical (essentiality and phenomenon; content and form; necessity and chance, etc.); deductive and inductive methods, art analysis method. These methods have allowed to examine the art stylistics and imaginative manner of Yevhen Lysyk in his design of choreographic works. Scientific novelty. Scientific novelty lies in a deep research of spiritual world perception of the individual artistic manner and a unique scenic style of the outstanding stage designer in Lviv in the context of ballet show stage setting. Conclusions. Results of this research give reason to affirm, that his artistic manner has been characterized by lightness and intemperance, academicism and pioneering, while his logically thoughtful ideological concept has been subordinated to philosophical-symbolic, metaphoric modules (“Spartacus” of A. Hachaturyan, 1965, “The Creation” of A. Petrov, 1972, “The Nutcracker” of P. Tchaikovski, 1982, etc.). The combination of academic and folk painting created the new national style with the elements of folk-mythological images in designing ballets (“The Color of Fern” of Ye. Stankovych, Kyiv, 1978). Through the years of his artistic work Yevhen Lysyk has developed his own style and creative manner, that have no direct borrowings neither in the ancient, nor in modern Art. The main idea of his works has been looked through the prism of his spiritual world perception, while the scenic style and technique are the means of personification of the artistic image, to bring a man closer to the Creator.
Highlights
Демьянчук Андрей Львович, https://orcid.org/0000-0002-3399-4537 кандидат искусствоведения, доцент, Львовский национальный университет имени Ивана Франко, Цель исследования
The main pupose of the study is to highlight the problem of formation in the artistic manner of the outstanding stage designer in Lviv, his unique painterly style and technique of performance of a considerable part of his monumental-art canvases
Scientific novelty lies in a deep research of spiritual world perception of the individual artistic manner and a unique scenic style of the outstanding stage designer in Lviv in the context of ballet show stage setting
Summary
Мета дослідження – висвітлити аспекти формування творчої манери видатного львівського сценографа Євгена Лисика, його унікального стилю і техніки виконання значної частини монументально-живописних полотен як невід’ємної складової балетних вистав. Завдяки цим методам було досліджено художню стилістику і творчу манеру Євгена Лисика в оформленні хореографічних творів. Наукова новизна полягає у дослідженні індивідуальної творчої манери та унікального живописного стилю видатного львівського сценографа у контексті оформлення балетних спектаклів. Художній манері митця притаманна легкість і розкутість, традиційність і новаторство, а логічно продумана ідейна концепція підпорядкована філософсько-символьним, метафоричним модулям в оформленні балетів За роки творчої діяльності Євген Лисик виробив власний оригінальний стиль і творчу манеру, яка не має прямого запозичення ні в давньому, ні в сучасному театральному мистецтві. Живописні стиль і техніка стали засобами поглиблення розкриття художнього задуму, образів балетів. Ключові слова: Євген Лисик; українська сценографія; хореографія; балет; театрально-декораційний живопис; стиль; новаторство
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