만재 주원택의 기행가사에 나타난 서술방식과 국토의식

Abstract

This paper examined the descriptive method and A consciousness of national territory in the 1990 manuscripts <Geumgangsan Scenery Song>, <Gyeongju Scenic Song>, and <Gasansanseong Scenic Song> created by Manjae Joo Won-taek in the 1960s.
 Chapter 2 examines the development method and expression technique of cruise. <Geumgangsan Scenery Song> was developed in the order of Noh Jeong-jeong such as Birobong Sangsangbong → Janggunbong → Danbalryeong → Taejobong → Okyeobong → Bokwangsa Yeongsanji → Jipseonbong → Okryudong → Baekseokdam → Cheonhwadae → Oegeumgang Guryongpo → Manmulsang → Ipseokpo → Geumgangmun → Bubuam. The expression technique used various rhetoric methods such as anthropomorphism, Uiseong method, Uitae method, exaggeration method, metaphor method, and simile method to explain the beautiful appearance of Geumgangsan Mountain. On the other hand, the added poems played a role in enhancing the excitement or creating an atmosphere by embodying the author's sensibility, which was not covered in the lyrics, as appropriate quotes and self-written poems.
 Chapter 3 examines the author's inner world and perception of reality. The sweet fact here is that the characteristics of the modern cruise lyrics revealed in the 1960s Geumsugangsan Mountain Scourge reflects the author's ancientism and retrospectiveism presented by a person with Confucian knowledge who jumped on the play culture of the time.
 Among Joo Won-taek's Geumsugangsan Mountain Scenery, travel lyrics such as “Geumgangsan Mountain Scenery Song,” “Gyeongju Mountain Scenery Song,” and “Gasansanseong Fortress Scenic Song” described the symbolism of historical attractions and the emotion of visiting them in various ways from the perspective of Confucian intellectuals.
 Therefore, it can be said that Joo Won-taek and his friends in the 1960s expressed their experiences of Pungryu and affection for the country through various rhetorical techniques and forms of Chinese poetry based on their Confucian knowledge in famous places and historical places in the country. In the end, it can be found that modern cruise lyrics of traditional field trips can be continued and enjoyed in the 1960s, and it is hoped that the discovery and introduction of new travel lyrics will serve as an opportunity for modern cruise lyrics to be re-examined.