ЛІТЕРАТУРНІ ВИДАННЯ МУРу: ІСТОРІЯ, ЗМІСТ, НАПРЯМ

Abstract

The article analyzes the important literary publications of the Ukrainian Artistic Movement (MUR), devoted to artistic, literary-critical, art history issues (in particular, the collections "MUR", MUR's аlmanac, "Arсh"). The issues of history, content, and direction of these publications are investigated, each of which is considered as a kind of integrity and is considered in the context of the literary activity of the MUR. The historical, cultural and socio-political prerequisites of MUR's publications, their ideological and aesthetic foundations, and functions are clarified. It is argued that the MUR's literary projects reflect general culture and social moods and trends, ideological and aesthetic changes in the Ukrainian emigration literary process of the late 1940s, that these publications present the most important ideas and works of that time. It is noted that the priority of the three Collections of Literary and Artistic Issues "MUR" was programmatic, and the MUR аlmanac aimed to reflect artistic diversity of literary life, in particular stylistic. The main attention is devoted to the "Arch" as an outstanding and unique phenomenon in the history of Ukrainian literary and literary-critical thought, in particular, the history of its creation, changes in editorial policy are revealed, its assessments are recorder in the views of contemporaries. Periodicals published under the auspices of the MUR had a great influence on the cultural and literary process of the late 1940s, contributing, in particular, to the consolidation of creative efforts, the duration and continuity of Ukrainian modernists and Europeanists literary trends. Memoirs, letters, papers of the creators and members of the MUR, in particular, Yuri Sherekh (Shevelov), Ulas Samchuk, Gregory Kostyuk, Yuri Lavrinenko and other became the source base for the study.