خطاب المقدمة السردية عند إدوار خراط

Abstract

Threshold studies have been widely known since the publication of G.Genette's book Seuils, 1987, and this approach has not been abandoned by critical works that analyze creative texts, but many of these studies have taken care of discourses of the title, have neglected certain discourses from other thresholds, including the introductory discourse, which began to be known in Western criticism, but they have not been interested in the thresholds in general, including the discourse of introduction, we wanted to emphasize the importance of this discourse, known in ancient rhetoric, to become a critical subject now, and this by analyzing the discourse of the introduction for the novel (Iskandriti) by Edward Kharat, to reveal the definition of the introduction, its components and its most important dynamics functions in this experimental novelistic text.