Abstract
The article reveals the peculiarities of the literary embodiment of the “little man’s” existence in Dostoevsky’s works and the mechanisms of the reception of this image by the Chinese prose writer. The transformation and literary interpretation of the “little man” image in Lu Xun’s works are conditioned by difference in religious and philosophical worldviews of the Russian writer and the Chinese writer. In this regard, the work analyzes specificity of individual-authorial interpretations of the image of Christ, the hero-bearer of “alienated” “solitary” consciousness and the ways to overcome alienation in Dostoevsky’s and Lu Xun’s prose.
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