Візуальна інсталяція як елемент акторської майстерності

Abstract

The purpose of the research is to analyze the using forms features of visual installation as an important acting component. Research methodology. To achieve the goal, comparative methods have been used as a means of comparing the forms of visual installation and modeling features of the elements by which these forms have been structured. The scientific novelty lies in the fact that the role and values of the forms of visual installation in the processes of acting education have been characterized, and the dynamics of the techniques development based on the use of visual installation as an element of acting is also considered. Conclusions. Visual installation is an element of acting in the process of creating a stage image. Outstanding directors, actors and world-class teachers spoke about the problems of visual installation. The education of calisthenics expressiveness in professional actors is an indispensable component of the professional training of a modern actor and a necessary means of stage embodiment of an artistic image. The presence of various training methods makes it possible to widely use the visual installation in the actor’s work on his role in various directorial paradigms representing the modern theater art development. The considered methods of using visual installation in the actor’s work reveal certain trends, the essence of which lies in the search for additional means of expression in traditional acting techniques of a gestural and behavioral nature, an attempt to connect them with the artistic tasks embedded in the “theater text”, and to deepen its semantic vector interpretation with the help of the actor and the central figure of the stage action. That is why the increasing importance of multi polarity in the professional training of those who participate in the creation of the play. We are talking about the need to master various visual installation techniques not only at the acting level, but also at the director's level. The general role of these techniques is to enrich the stage palette of the performance using the language of the body, gestures, movements, which in modern theater acquire the leading means significance of expression, dictating the choice of other means that are directly related to the participants of the performance (decoration, spatial design of the stage, etc.).